
Trying is something, right?
Subject: 2009 California State Tax Withholding Rate Changes
This is to advise you of changes in California State Tax Withholding rates. The rate changes are for both the percentage method of withholding and the supplemental/flat method of withholding. The supplemental/flat method of withholding rate has increased from 6.0% to 6.6%. The changes will be effective beginning with payments issue dated November 1, 2009.
You may view the changes by going online to the following website and inputting your personal information:
www.sco.ca.gov/ppsd_se_paycheck_calc.html
He said that he wanted my brain.Please do your own and if you post it to your blog let me know in the comments.
Not those girls exceedingly vain.
'Til he munched on a chick
Who was built like a brick.
They just won't eat one who's so plain.
Being dead doesn't mean being rude.
Ripping flesh with your teeth is so crude.
So, use knife and fork
To eat human pork.
It's the civilized way to eat food.
It's hard to remember having fun
When worried about your gun.
We see all we kill.
There are more on the hill.
Soon everyone will have to run.
The safest, they said, would be malls,
With barricaded doors and thick walls.
Well, now we're surrounded
And constantly hounded,
With nothing to eat but baseballs.
I shuffle and groan every day.
For my people, it's just our way.
When we're in luck,
We chow down on Chuck,
Or that grizzled old bat, Aunt May.
Most interesting is the way he positions black citizens in the Obama theme. An interview is interrupted by the news that the election is won, and we see black folk leap and cheer -- a common image during that news cycle, but (as I mentioned about the portrayal of Republicans tumbling out of the closet in Republican Gomorrah) newly piquant in a narrative context: The most traditionally despised and debased people in the country suddenly filled with optimism. The payoff comes near the end, when Moore reproduces FDR's 1944 call for a new Bill of Rights-- a late New Deal legacy that presaged Moore's own hopes for the nation. We may be aware without reminding that Roosevelt's vision -- including that of "every family to a decent home.. to adequate medical care... to adequate protection from the economic fears of old age and sickness and accident" -- went unrealized after his death.
Next we see the crowds weeping at FDR's funeral procession -- many of them African-American. Then Moore avails a stealth-shock cut -- it takes a few moments to realize that the helicopters we are next shown are hovering over the flooded homes in New Orleans after Hurricane Katrina, and that the terrified citizens begging for rescue are black.
I'm a terrible cynic, but the sorrow and anger at injustice I felt at what I saw, I am convinced, were not drawn by a gimp-string, nor by a clever concatenation of my own prejudices, but by the craft of a real filmmaker turning bare facts and images into art. It's political, certainly. But sometimes, if rarely, a political gesture is sufficiently inspired to cross the line.